
Interior design concept · Upper floor
Two master suites, two bedrooms, four bathrooms, a central lobby, the stair landing and two terraces — 11.60 × 8.35 m, carried through in the villa's ground-floor language.
Same language
One stone family, one metal finish, one colour temperature. Beige marble, warm oak, smoked walnut and brushed brass continue up the stair without a break.
Four characters
Master One is fabric and walnut. Master Two is stone and velvet. Bedroom Three is pale oak and painted panelling. Bedroom Four is fluted plaster and sand velvet.
Clear hierarchy
The two masters get book-matched stone, coffered ceilings, chandeliers and dressing bays. The other two get calmer ceilings, painted walls and lighter joinery.
Reference
Every layout below follows the drawing: the two masters to the south, the two bedrooms to the north, all four opening off the central lobby, with the stair arriving on the east side and a terrace at each end of the plan.

Upper floor / 01
3.75 m × 2.50 m clear circulation · four bedroom doors and the stair void
The plan gives this floor one generous central lobby that every room opens off. It is treated as a room in its own right rather than a corridor: one continuous stone floor, one panelled wall rhythm, and all four bedroom doors detailed identically so nothing competes with the stair void.


Upper floor / 02
Stair 2.15 m wide arriving on the east side of the lobby
The stair void is the one place on this floor where the villa can be theatrical. The full-height wall facing the arrival is given to fluted stone and a single cascading fixture that is read from both floors at once, tying the ground-floor lobby to the upper landing.

Upper floor / 03
4.05 m × 5.40 m (4.10 m at the bed wall) · private ensuite 1.80 m × 2.90 m · PC window to the west
The quieter of the two masters, and the more tailored. Its character is fabric and walnut rather than stone: a full upholstered headboard wall, a deep joinery run opposite, and a dressing vanity taking the daylight from the west window. Bed is centred on the long solid wall so both sides stay clear.



Upper floor / 04
2.60 m × 1.95 m · between the bedroom and the ensuite, on the drawn opening
The suite is read as one sequence: bedroom, dressing, bathroom. The dressing area uses the recess shown on the plan beside the ensuite, fitted out wall-to-wall in smoked walnut so it feels like a boutique fitting room rather than leftover circulation.


Upper floor / 05
1.80 m × 2.90 m · WC, vanity and walk-in shower, on the drawn wet wall
A compact plan handled as one continuous stone envelope, so the small footprint never reads as tight. Everything is wall-hung and the floor runs unbroken from door to shower.


Upper floor / 06
6.95 m × 5.00 m (5.50 m to the terrace line) · ensuite 1.85 m × 3.05 m · direct access to the 4.90 m × 1.20 m terrace
The principal suite of the villa. It is the only bedroom with its own terrace, so the design is organised around that opening: stone at the bedhead, a lounge corner in the window bay, and the whole room lit so the terrace lanterns read as part of the composition at night.



Upper floor / 07
3.10 m × 2.20 m · U-shaped fit-out linking bedroom and ensuite
The principal suite's dressing room is the larger of the two and takes an island, so it works as a room you stand in rather than a corridor you pass through. It also acts as the acoustic buffer between the bedroom and the bathroom.


Upper floor / 08
1.85 m × 3.05 m · twin basins, WC and shower
The principal suite's bathroom takes the darker end of the palette — travertine with an emperador band — so the two masters are clearly distinguished without leaving the villa's material family.


Upper floor / 09
4.30 m × 4.30 m · 3.50 m opening line · direct access to the 4.85 m terrace
A lighter, younger room. Same materials, less weight: pale oak instead of walnut, painted panelling instead of upholstery, and a shared headboard that lets two single beds read as one piece of furniture. A study niche is built into the wardrobe run.


Upper floor / 10
4.95 m × 5.00 m (5.10 m structural bay) · window wall to the north-east
The guest room, and the most textural of the four. Where Bedroom Three is smooth and pale, this one is fluted plaster, sand velvet and camel wool — warmer and heavier, closer to a hotel room, but built from the same palette.


Upper floor / 11
Two WCs at 1.80 m × 2.80 m serving the north bedrooms, exactly as drawn
The two shared WCs on the plan are treated as one design, lighter than the ensuites so the masters stay clearly superior — cream travertine throughout, with the same brass and the same lighting discipline.

Upper floor / 12
4.85 m × 1.80 m · off Bedroom Three
A narrow terrace, so it is furnished as a bench rather than as a lounge: one built-in seat along the wall, one low table, and planting concentrated at the ends where the depth allows it.

Upper floor / 13
4.90 m × 1.20 m · off Master Bedroom Two
Narrower still, and private to the principal suite. It is designed for two people and a coffee tray at sunset — two loungers, a planted edge, and light kept low enough that the view stays the brightest thing in the frame.

Note to the client
Recommended, optional: in Master Bedroom One the 0.80 m opening beside the ensuite could become a 1.10 m cased opening into a small walk-in dressing area formed from the adjacent 1.60 × 2.90 m zone. Reason: it is the only master without a dressing room, and the change uses a non-structural partition only — no wet wall, no window, no door to the lobby is affected. If you prefer, the scheme as shown already carries full dressing storage inside the bedroom itself.
Unchanged: all external and internal walls, every window and PC opening, both terraces and their depths, all four bathroom positions and their plumbing walls, the staircase, the landing, and every drawn door swing. Bed positions, wardrobe runs and furniture have all been sized against the dimensions on the plan with clear circulation maintained.
Next: the exterior elevations, landscaping and outdoor spaces in the same material language.
Back to the ground floor